Tuesday, April 6, 2021

'Just Another Day" in paradise

 


Greg Quadlander remembers the boy inside in Just Another Day. He evokes the peaceful purity/danger of a wooded area that is in far Northwest Austin and now covered with houses.

Billed as a children's book, it will resonate with anyone who remembers what it was like to be a child in search of adventure--the kind that involves rattlesnakes and mountain lions!

The book brings to mind a more serene version of Gary Paulsen's book Hatchet. In this case the adventure ends in the safety of mother's arms.

He includes pencil drawings done by a number of his friends that will make you believe you are a kid again. Check the book out here.


Thursday, July 9, 2020

My book about the Ross Sisters

 

 

 

 

 

 

 

 

 

 

 

UPDATE IN May 2025: I've completed the third and final draft of the book. The working title now is The Contortionists. Follow the Facebook page here or get more info at joeoconnell.com.

You've likely seen the video on Youtube. Soon you'll learn their true story.

What I'm currently working on:

Three sisters from West Texas saved their family from the Great Depression when a chance encounter with acrobatic neighbors sparked an unexpected career as singing contortionists.

The Ross sisters quickly traded in their childhoods for roadhouses and rodeo shows. Soon they were on Broadway and in the movies. At the urging of their mother Veda--who trained them relentlessly--the girls lied up their ages.

Just after WWII ended, the Ross Sisters sailed on the Queen Mary to London to perform in a hit stage show. Free of their mother for the first time, they each met a fellow performer and married: Betsy Ross to a schizophrenic and charismatic dancer from America, Vicki Ross to a lovable French ventriloquist and baby Dixie to an English actor and comedian.

Dixie would die on her 15th wedding anniversary, and her sisters would be left to pick up the pieces and save their own children from what they feared had become a family curse.

The Ross Sisters fame was short-lived, but bubbled up in the '90s when their act was featured in the film That's Entertainment III, and again in a new century when their contortions made them Youtube sensations.

I'm in the middle of research and writing. Wish me luck!

Friday, May 15, 2020

A Rondo Hatton short until 'Rondo and Bob' is released


The release of Rondo and Bob at film festivals is on hold until, well, there are film festivals again! We were set to premiere during Megacon in Orlando at the affiliated Saints and Sinner Film Festival, but Megacon was first delayed, then canceled. It may be back in October. We may be part of it, but that's not a certainty.

In the meantime, what is there to do but make some short films from home! We created Meet the Creeper! for Roger Corman's Quarantine Film Festival. The Rondo Hatton mask Paul Smith created for Rondo and Bob was at my house, so we told Rondo's story. I enlisted my son and wife. Kirk Hunter did the editing. My son played trombone and wore the mask. My wife was Mae Hatton. The Austin Chronicle even wrote about the short. You can see the completed film here.

Tuesday, March 31, 2020

Dallas VideoFest's AltFiction goes online



I'm getting almost daily notices of film festivals pushing back to at least the summer. More interesting in the here and now are the fests that are going online. The latest is the Dallas VideoFest's AltFiction which will be online for FREE.

Here's the skinny from the press release:

Dallas VideoFest’s Alternative Fiction (http://videofest.org/Alternative-Fiction/ April 2-5) partners with Falcon Events, Dallas-based event producers, which specializes in producing live online and virtual events, to deploy the latest live online technology via a secure and robust platform to create a virtual film festival experience in your living room.

“We are recreating the festival experience, showing films, and connecting filmmakers with their audiences, with technology that is just right for the moment,” said Bart Weiss, founder and artistic director of Dallas VideoFest.


Alternative Innovation
Falcon Events has the technology and capability to include film introductions from the Festivals’ film hosts as well as Q&As following films. Viewers will be able to hear and potentially see the filmmakers as they answer the viewers’ questions. Falcon Events has very strict protocols in place to ensure each film’s content is not copied, and each film will only be available live.


Dallas VideoFest has been innovating with technology since 1987, such as showcasing HDTV and VR in 1988,  exhibiting interactive media, and pioneering using files instead of videotapes. We are constantly looking for new easy to connect with audiences, and this is the technology perfect for this moment in time.

“In this time when we are literally homebound, we are looking to be inspired. AltFiction’s narrative films will prove entertainment, inspiration and will be the cure for cabin fever,” Weiss said.

Movie lovers can go online and watch great films at specific times.  Like traditional film festivals, there will be questions and answers and intros to the films from hosts and from the filmmakers, but these will be done on video (and unlike the films themselves will be viewable later online). Audiences can ask questions of the filmmakers and have them answered in real-time. 

Here's how you do it:

 
  1. Sign up at OnlineFest.us 
  2. Browse content
  3. Register for screenings you want to watch
  4. Log back in before the event start time to begin viewing (an email reminder goes out 30 minutes prior to the start time)

In addition, viewers can expect a seamless switch into a filmmaker Q&A using a text-based tool that allows attendees to submit questions online.


Tuesday, March 24, 2020

The new reality for independent filmmakers

 
Painting: Camilo Esparza. Poster: Casey Hunter
In 2001 I talked to producer Scott Perry about Jet Blast, an Austin-made, low-budget comedy about a future time where airlines got super competitive. An evil rogue group armed their planes to take out the other guys. Some planes crashed into buildings. It was clearly a goofy joke. Jet Blast was set to premiere at the Austin Film Festival. Then 9/11 happened. No festival screening. No much of anything for a long time.

"We had somehow managed to find the exact wrong film to make at the exact wrong time," Perry told me then.

Also in 2001, a Spider-Man trailer that showed Spidey swinging from a web between the Twin Towers was pulled. There was talk of shelving terrorist-themed movies. It was a tough time for the movie industry.

OK, as filmmakers today we need to lighten up. Things are not nearly as bad. Yes, festivals have been cancelled. Yes, many more have been postponed. But, like with 9/11, the bigger picture shines through as we huddle in our houses and get back to basics. My family watched Onward on overly expensive pay per view just days after its release in theaters. (It was great.) Screening parties are happening on Facebook. Classic films are being rediscovered. This time film is our escape. It just isn't happening in the normal way.
 
For example, where I am in Austin, Texas, the documentary Also Starring Austin is screening for free online here for a short while. The Austin Chronicle is asking readers to watch Texas Chain Saw Massacre along with them at home and engage in a running commentary. Film is bringing isolated people together.
 
I've been quiet lately about the release of my documentary Rondo and Bob, which is about Texas Chain Saw Massacre art director Robert Burns and his obsession with '40s actor Rondo Hatton whose iconic face was twisted from the effects of acromegaly. Deeper down it's about the love Burns searched for and Hatton found. It was set to premiere April 17 at MegaCon in Orlando, with attendance of about 100,000 one of the largest fan conventions in the country. But I knew it wouldn't happen. It had become a rare holdout to the cancellation list.

Word came down Monday that the fest has been pushed to June. Rondo and Bob is the feature screening on June 5. Will it actually happen? Will life be back to normal by then? I'm still not sure. Perhaps it takes a great re-imagining of the film release process. I'd love ideas on that.

In the meantime I want to share this amazing poster based on a painting created by tattoo artist Camilo Esparza and realized by Casey Hunter. It's an homage to a poster for the 1946 film House of Horrors featuring Hatton as the Creeper.

Stay safe. Go watch a movie.

Friday, August 30, 2019

Death of Monte Dhooge

Obituary for Monte Dhooge, cinematographer for Scream Test.


Monday, May 13, 2019

"Austin-set" series will shoot in... Los Angeles!

Bah ha ha! I curse you, Austin!
Hat tip to Joe Gross at the Austin American-Statesman for this scoop:

Rob Lowe will star in Fox series 9-1-1: Lone Star, a spin-off of Ryan Murphy’s show 9-1-1. It will be set in Austin, but shot in Los Angeles because they look exactly the same. Cough cough.

More from The Hollywood Reporter: "The series follows a sophisticated New York firefighter (Lowe) who, along with his son, relocate to Austin and must try to balance saving those who are at their most vulnerable with solving the problems in his own life."

I expect to see Rob at at Joan's on 3rd in West Austin, ur, Hollywood, soon.




Sunday, February 17, 2019

Granny from 'Chain Saw' found!

Photo © Joe M. O'Connell

It took more than a year to track her down, but we finally unearthed Granny, as created by Robert A. Burns for the original Texas Chain Saw Massacre. She was in an undisclosed--and quite secret--location in Texas.

The purpose? Film her for my documentary Rondo and Bob about Chain Saw art director Bob Burns and his obsession with the actor Rondo Hatton. We are entering the main editing phase of the project so it was particularly sweet to find Granny, who is holding up nicely. My shooter/editor Kirk kept the zombies at bay while I took this snap.

You can see more about the documentary at rondoandbob.com or find us on Facebook at https://www.facebook.com/rondoandbob/.

Friday, June 9, 2017

My next documentary is 'Rondo and Bob'

The cat has clawed its way out of the bag. I'm working on a documentary called Rondo and Bob about The Texas Chain Saw Massacre art director Robert A. Burns and the actor Rondo Hatton, whom Bob Burns was obsessed with. (See more at the web site here: Rondoandbob.com

Robert A. Burns

 Austin American-Statesman columnist John Kelso made the announcement in his column:


Joe O’Connell is doing his part to promote Austin’s eccentricity.

O’Connell, an old newspaper guy who has written about film for several Texas papers, is shooting a documentary about the late Robert Burns, the man who put the gore in the original “The Texas Chainsaw Massacre” movie.

In case you haven’t been keeping up with your blood and guts horror classics, Burns did the macabre artwork for the film. Although you wouldn’t guess he’d head in that direction if you met him; Burns was a real sweetheart, a soft-spoken guy with what I suspect was a genius IQ.

There’s never been another one like Robert Burns. They didn’t throw away the mold, because there was no mold. Although his South Austin home was a bit moldy.


Rondo Hatton

Burns lived in a two-story dust-collector in South Austin furnished with props from “The Texas Chainsaw Massacre.” There was the arm chair, so-called because of the prosthetic arms Burns attached. When I visited Burns, a battery-powered rubber hand was crawling across the floor upstairs with a knife run through it, a prop Burns put together for an upcoming film project.
Burns made these masks.

What project? Who knows? But I’m betting it wasn’t “Rebecca of Sunnybrook Farm.”

During my visit Burns sat me down and showed me the massacre movie on a small TV. His review? He had one complaint: All that screaming from characters being hacked to pieces made the film extremely loud.

Read the rest here.

Saturday, May 13, 2017

'The Son' to rise again on AMC


Good news for the Austin film/TV industry: Deadline reports that a second, 10-episode season of "The Son" is slated for AMC and almost certainly will be shot largely in Central Texas.

The show starring Pierce Brosnan (whose Texas accent is a bit "creative") is based on Philipp Meyer's epic novel of the same name, and the author is a driving force in the series as well. Read my interview with him in the Austin Chronicle.

Friday, May 12, 2017

Patty Hearst gets kidnapped in Austin


Filming begins next week in Austin on a limited-run retelling of heiress Patty Hearst's kidnapping, my sources confirm. It will continue through June 10.

It tells the tale of publishing magnate William Randolph Hearst granddaughter, who was abducted from her Berkeley apartment by terror group the Symbionese Liberation Army in 1974 and soon was sporting a gun of her own during a bank robbery.

The series comes from Austin-based Bat Bridge Entertainment, which shot some scenes at a former bank in Taylor last summer

Casting calls talk of a "major network" behind the "Untitled PH Series" seeking " featured extras for recreations of real people, so the actors will be matching historical figures, and their faces will not be seen straight-on." That network is either CNN or CBS. The latter talked of just such a series last year.


ABC Breaking News | Latest News Videos


Also currently shooting around Austin are a Comedy Central pilot Power Couple and Andrew Bujalski's indie film Support the Girls.

Saturday, April 15, 2017

It's time to "Uber-ize" the airline industry

My op/ed piece in the Austin American-Statesman:

Photos taken during San Francisco delay.
©Joe O'Connell
It’s not about one customer being dragged off one airplane; it’s about an industry attitude that must change or go the way of the cab industry. Shape up or get Uber-ized, United Airlines.

Consider the Facebook page I Hate United Airlines and its good friends: I Hate American Airlines and I Hate Delta Airlines. Angry customers are in awe that Southwest Airlines reportedly reacts to long delays by buying its customers pizza. A simple act of kindness is the aberration not the norm.

My wife and I traveled from Austin to Santa Barbara to see Van Morrison perform. A short connection in San Francisco and we’d be there. But our United flight was delayed again and again. Weather, we were told. We arrived in San Francisco minutes after our connecting flight had left. The next flight out was canceled — and the next one was already full of people from that canceled fight. OK, we said, put us up and fly us out tomorrow. We don’t pay for weather delays, the United rep said. Later we learned that United had had a well-publicized computer problem the day before. Was it lingering?

We made the best of it and went full-on tourist: Argonaut Hotel at Fisherman’s Wharf, cable car, lunch at Nick’s Lighthouse. To the airport with plenty of time to still make the Van Morrison show. Another delay, another. United workers blamed it on air traffic control this time. We booked an airport hotel, resigned to flying home without having ever set foot in Santa Barbara. Our flight soon was canceled. We’d take a morning flight home.

©Joe O'Connell
The next morning we presented boarding passes and were told our tickets were canceled — canceled because our flights were canceled. A third day in the airport. I started tweeting about our hostage crisis. How I’d taken a job washing dishes at Peet’s Coffee and living off of airport candy. On Facebook a friend sent footage of the show we’d missed: Morrison performing “Moondance” with actual full moon in the background “‘neath the cover of October skies.”

Throughout it all, United workers treated us with resignation mixed with wariness. For our trouble we got two $150 vouchers — a third the cost of our flights. Customer service was an afterthought.

Yes, Austin chased Uber away with threats of regulation, — but it’s clear Uber has forced the old cab company model to shape up or vanish. Use PayPal instead of needing cash? Check. Half the cost? Oh yeah. Less structure. Less fuss. Less hassle.

It’s the same with telephones and television. Expensive landlines? Dead or dying. Cable television? Hah. Innovation and change have made none of the old, tired models safe from welcome extinction. The airline industry needs to be next.

©Joe O'Connell
Consider this: United and other airlines charge for checked bags, so customers bring more carry-on luggage. A San Francisco TSA worker shook her head while she explained how it slowed down their process and overworked them. Security lines were long and stressful. Once we got to United’s smaller plane from Austin to San Francisco, they handed out tags to check luggage anyway. Overhead bins were too few and two small. We piled our bags by the entryway. The same process happened on our aborted flight home. It made no sense. The airline industry makes no sense.

We are living in a changing world where marketing pros talk of “connectedness” as the secret to success. They don’t mean networking; instead it’s about synthesis — taking the old ways and reworking them into something better. It’s what Uber did. It’s why Blockbuster Video and its exorbitant late fees seems like a distant memory. It’s why phone books are as useless as buggy whips.

I don’t have an answer to the airline industry problems, but I know airlines like United with their “friendly skies” need their creaky old models to change or step aside for something new. Please, creatives, Uber-ize them quickly. We need you.
©Joe O'Connell

Thursday, April 6, 2017

Austin-shot 'The Son' ready to premiere on AMC



Philipp Meyer was getting drunk on author and folklorist J. Frank Dobie's front porch when he decided to adapt his epic Texas novel The Son for the screen.

"Let's just do it ourselves," he recalls thinking, with the "ourselves" including his compadres Brian McGreevy and Lee Shipman from the University of Texas' Michener Center for Writers. "The worst that can happen is we fail."

Read the rest at the Austin Chronicle.

Friday, January 13, 2017

Dracula vs. Frankenstein vs. Sam Sherman

Sam Sherman and Frankenstein from Joe O'Connell on Vimeo.

Just when we thought the documentary Love and Other Stunts was complete, I took a trip to legendary B-movie producer Sam Sherman's New Jersey house and met Frankenstein.

Sherman and I talked about the independent film scene of the '60s and '70s, about director Al Adamson (and Adamson's murder) and, of course, about stuntman Gary Kent whose story is the focus of Love and Other Stunts.

Sherman said he believed Kent was destined to be a major Hollywood star or perhaps the star of a television series, but instead Kent was soon back on the Adamson crew. But Kent's life did take interesting turns as you'll see in the doc. (Get regular updates on our Facebook page.)

Sherman said Kent's role as the good-guy lead in Satan's Sadists was a turning point for his Independent-International Pictures. Sherman is first and foremost a fan and a collector of film reels and memorabilia. He's also still actively working as head of IIP. And, as you can see, he knows just what box to open to reveal the star of Dracula vs. Frankenstein.

Find more about Love and Other Stunts here.

Sam Sherman: Photo by Joe O'Connell

Tuesday, December 6, 2016

First trailer for 'Love and Other Stunts'

Love and Other Stunts trailer #1 from Joe O'Connell on Vimeo.

We are gearing up for a 2017 film festival launch of my documentary Love and Other Stunts.

We're working now on taking care of legal aspects and getting all our ducks in a row. I hired an amazing designer who will create our film poster.

The film's main character, legendary stuntman Gary Kent, is just back from Milan, where a film he starred in, Frame Switch, took best film honors at a festival there. At 83, he is rocking it.

Here is the first trailer for Love and Other Stunts!

Thanks again for your support.--Joe O'Connell


Friday, October 28, 2016

Rodriguez seeks extras as 'Alita' begins Austin shoot

Robert Rodriguez is back in action directing Alita: Battle Angel for Fox in Austin from now until February.

According to Deadline, it's set in a 26th-century dystopian future: "The film follows the story of an amnesiac cyborg who, after being rescued from a scrap heap by a doctor (Christoph Waltz), becomes a bounty hunter tracking down criminals."

Actress and singer Eiza González has the lead role. She also stars in Rodriguez's El Rey Network series From Dusk Till Dawn. Rodriguez shocked Austin locals when he moved series production to film friendlier (as in incentives) New Mexico for season three. The cast also includes Lana Condor, Rosa Salazar, Jackie Earle Haley and Ed Skrein.

It's an adaptation of  the graphic novel series Battle Angel Alita by Yukito Kushiro. James Cameron wrote the script with Laeta Kalogridis.

Third Coast Extras is handing background roles, which include punk rocker types, Asians and East Indians, but also general folks of all ages. Get more info at the casting company's Facebook page.

The film is set for a 2018 release.

Wednesday, June 1, 2016

The totally true story of Texas "skyscrapers"

My cover story in the June issue of Texas Co-op Power (the largest circulation mag in Texas):

On January 21, 1929, the “human fly” gripped the brick wall and slowly ascended Temple’s sleekly narrow Kyle Hotel. A crowd of observers, decked out in their Sunday best, exchanged knowing glances and looked skyward. Halfway to the 13th and final floor, the man-fly pulled a Coca-Cola bottle from his pocket and took a leisurely sip. The onlookers laughed and cheered. Those lucky enough to purchase tickets to the grand opening party ventured inside to dance to Henry Lange and his orchestra’s hit song, Hot Lips. For $1.50, they could stay the night in one of 125 rooms appointed with steam heat, ceiling fans and running ice water.

In October of that year, the stock market crashed, foretelling the Great Depression. Farmers saw cotton prices plummet. The town’s major employer, the Gulf, Colorado and Santa Fe Railway, implemented layoffs and pay cuts. Four of Temple’s five banks closed. Temple’s population remained static at 15,000 throughout the 1930s. Yet the Kyle and other high-rise Texas hotels like it held on for decades as towering symbols of something larger. Soldiers huddled in them during World War II. Community groups met for lunch. High school kids held proms.

The Kyle was the third “skyscraper” in Temple. The 113-room Doering Hotel—later sold and renamed the Hawn Hotel—had celebrated its opening in 1928 with a different human fly ascending its nine levels. The six-story Professional Building came second and housed a grocery, stenography school, barbershop, law office, flower shop and cigar store.

New Yorkers might argue whether any building with fewer than 20 stories, or perhaps even 50, could be billed as a skyscraper, but architect T.J. Gottesdiener, quoted in the Christian Science Monitor decades after the firm he worked for designed Chicago’s iconic Sears Tower, perhaps put it best: “What is a skyscraper? It is anything that makes you stop, stand, crane your neck back and look up.” In the late 1920s, high-rise buildings began to ascend in Texas, and they became a symbol of good times, progress and optimism in tough times ahead.

Read the rest here.