Friday, February 9, 2007

Keep the University of Texas weird


It's funny how times change. I just had lunch over by the University of Texas campus, which resulted in a discussion about how normal and clean cut all the students look. I grew up in Austin, where we loved to go down to the Drag to gawk at the freaks. Gee, I miss them.

Which brings us to Red (if you think that's him in the photo, you don't know Austin weird), a bespeckled librarian at Austin Community College who is so thin that bony isn't a sufficient description. Red is the guy who created the buzzword around these parts: Keep Austin Weird. He made up some basic bumperstickers and gave them away for free around ACC and elsewhere. Seems he wanted to save the hippie/punk counterculture that allows people to get away with calling Austin "the music capital of the world."

Then some capitalist dillweed stole the idea and started making his own bumperstickers and t-shirts, only using a chic font that made it all so edgy. Red didn't much care, because he figured it wasn't in the spirit of the thing to do so. Then the dillweed tried to copyright the phrase and the New York Times wrote an article about it.

Now in Austin you can't turn around without someone spouting about the Keep Austin Weird Movement. It's on the radio, in the newspaper's letters to the editors. Everyone has heard it, even though few of them know about Red.

Here's what he'd tell U.T. students: Quit walking around like sheep. Break out of the mold. Or as they say hereabouts, Keep It Weird.

Thursday, February 8, 2007

All-documentary film festival

What sort of films do reviewers flock to at film festivals? Documentaries. Why? They have a natural story arc that makes them a safer bet than a lot of fiction features from first-times (say that three times real fast).

That's why the announement of the Thin Line Film Festival in Denton on Labor Day weekend is intriguing. They're busy raising funds, and one way to help is this event:

"On February 23rd, Texas Filmmakers will host the 2007 Golden Era Gala at the University of North Texas Gateway Center. This is the first attempt to raise money through more traditional ways for non-profit
corporations. The event is themed after the Golden Era of Hollywood Cinema and guests are encouraged to dress for the period. Guests will hear from the Texas Film Commissioner, Bob Hudgins; the Dallas Film Commissioner, Janis Burklund; and AFI-Dallas Creative Director, Michael Cain. Then the real fun begins
with the 19-piece big band, Foo McBubba. Brave Combo will even come by later in the evening to perform a song off their new album."

Tickets are available online at http://www.texasfilmmakers.org/gala.php.

Wednesday, February 7, 2007

What time is it, Charlize?



Did the lovely Charlize Theron come crossways with the SXSW curse? She must learn that big brother is always watching.

SXSW gets local


The South By Southwest Film Festival will include a bunch of Texas-made films including Werner Campbell and Bob Ray's long-awaited (Werner says it's like being pregnant for five years and the water's finally about to burst) roller derby doc Hell on Wheels, which rumor has it will include a kick-ass soundtrack.

Also on the bill:

* ELVIS & ANABELLE, the latest from Burnt Orange Productions, the University of Texas film arm, will have its world premiere.

* The new documentary feature INSIDE THE CIRCLE from Marcy Garriott will have its world premiere in the Lone Star States section.

* THIRD WARD, TX, the new documentary feature by Andrew Garrison will screen in the Lone Star States section.

* THE UNFORESEEN, the new documentary feature from Laura Dunn will screen in the Lone Star States section, continuing its festival run after its world premiere at the 2007
Sundance Film Festival.

* The new documentary feature WEAVING WORLDS from Bennie Klain will have its world premiere in the Lone Star States section.

* AUGUST EVENING, the first narrative feature from Chris Eska will have a Special Screening.

What do most of these films have in common? They received Texas Filmmakers' Production Fund grants from the Austin Film Society.

The whole fest looks great, and I'm hoping my son doesn't pop out until after it's done! Check out the full lineup.

Tuesday, February 6, 2007

Reviving 'Inspector Mom'


Will the Dallas-shot Lifetime Movie Network series Inspector Mom starring Danika McKellar (Winnie of Wonder Years) get a second season on the Web (as well as a couple more TV movies)? Word is more people need to view the webisodes online to seal the deal.
Oh, and check out the first TV movie when it shows again on Feb 20 and the second movie on March 6.

There's also a contest to solve the big mystery with a $2,000 prize.

Monday, February 5, 2007

When in Fort Worth...

Here's a note about a play to check out in Cowtown:

The Butterfly Connection presents "My Brother and Sister With Wings."

Mark Edward Howell will be playing the Ringmaster. It is a dark play taking place in the early 1900s, written by Rob Bosquez of Fort Worth, Texas, and directed by Adam Dietriech also of Fort Worth. The play will take place Feb. 16th-18 and 23rd-25th at the Rose Marine Theater, 1440 N. Main in Fort Worth (about 5 blocks South of Billy Bobs, Tx) @ 7:30 p.m. nightly. For more info please call the Butterfly Connection at 817-333-4028. Please be sure to make reservations. Tickets are $10. STRONG LANGUAGE AND ADULT CONTENT.

Neil Stone chimes in...

Neil wrote to comment on my Dallas Morning News column about incentives. With his permission I throw it out for discussion:

Joe,

You obviously don't understand the politics involved. You're "beating a dead horse".

What Hollywood wants and is getting (quietly) is partnerships. The incentives are just the "tip of the iceberg". Many of the productions in other states are partially to totally funded by local people or organizations that share in the profits and therefore the production companies take little to no risk.

From what I'm aware of in Texas (especially Austin) is that hardly anyone is willing to "put their hand in their pocket" and put up their own money. Everyone here wants "a free ride".

I've been in this business since 1972 (with 25 years in Hollywood & New York) and when I talk to the studio heads and production companies there, they all say the same thing; "it's fun to come here, there's lots of free labor and the people are nice but..."

It's going to take more than just incentives from the state to bring the business here.

I work here but most of my business ends up in L.A., N.Y. or Tokyo.

Take a "peek under the tent" and see how it really is.

N. Stone
www.StoneEntertainment.org