Showing posts with label Leftovers. Show all posts
Showing posts with label Leftovers. Show all posts

Thursday, May 19, 2016

Hello, goodbye, 'Leftovers,' and thank for all the miracles


The good news: HBO is back in Austin at this very moment shooting the third and final season of The Leftovers. Austin serves as the show's Miracle, Texas, in a world torn asunder by the sudden disappearance of 2 percent of the population. Much of the cast returns from season two.


The bad news: The Austin stay will be done in the blink of an eye, with the bulk of the season lensing in Australia. Indiewire has a great breakdown on how this fits into the plot.

For once, this isn't about the shrinking Texas film incentive funding that sent Robert Rodriguez packing to New Mexico. It's really about where the story itself is headed. And can we really be upset when Austin kidnapped the series for its second season after the first was shot in New York state? And, hey, The Son is rising in Austin (and needs extras!), so no worries, mate.

The Leftovers remains some of the best television out there. Based on Tom Perrotta's novel of the same name, the series has a fine pedigree with Damon Lindelof, the showrunner for Lost, at the helm. Read my Austin Chronicle interview with the show's executive producer Mimi Leder for more on that.




Tuesday, March 22, 2016

Robert Rodriguez sends 'From Dusk Till Dawn' to New Mexico

Rodriguez and Linklater (photo by Joe O'Connell)






Cuts to Texas film incentives have a new casualty: Austin-based Robert Rodriguez likes to shoot at home, but he's setting up the third season of his El Rey network's From Dusk Till Dawn series in New Mexico with filming beginning as I type this. The first two seasons shot in the Austin area, of course. But money talks and Rodriguez walks. As have other recent Texas-set shows.

This is what happens when the Texas Legislature slices and dices its two-year film incentive program budget from $95 million to $32 million. In recent years, the incentive program has been most effective at attracting TV series to the state, including Austin-shot American Crime and The Leftovers. The former shot in Austin for both of its two seasons, while the latter shot its second season around Central Texas. The Leftovers already has a third season commitment while American Crime's future is unknown. Will either return to Austin? Stay tuned, but don't get your hopes up. At least we still have Richard Linklater. Right, Rick? Gulp.

Tuesday, May 19, 2015

'American Crime' returns to Austin for second season

When I interviewed American Crime creator John Ridley for The Austin Chronicle prior to the show's 11-episode run on ABC, he hinted that a second season was possible and that it likely would lens in the Austin area as the first season did. Correct on both. 

(Read down for even more TV shooting in Austin....)

According to Deadline, both Felicity Huffman and Timothy Hutton will come back for season two, which will center on an entirely different crime. The first season was an ambitious telling of the impact of a double murder on the lives of the victims' and suspects' lives. Ratings weren't spectacular, but it received plenty of critical acclaim and is expected to garner award nominations for its deft handling of issues of racial and class divides in America.

"TV has overtaken film here of late," Gary Bond of the Austin Film Commission said of the welcome Austin film industry news. 'I like it. Steady work for our crew. The gift that keeps on giving."

Indeed, Robert Rodriguez's series From Dusk Till Dawn is shooting its second season around town, and HBO's The Leftovers relocated and is currently lensing its sophomore season to Austin. ABC's Shonda Rhimes pilot The Catch shot here recently and just got picked up to series. No word on if the series will shoot in Austin, but insiders say it is a distinct possibility.

The American Crime announcement also comes as the Texas Legislature hammers out just how much funding in the coming two years will go to the state's Moving Image Industry Incentive Program, which allocates bucks to attract films, television and video game production to the Lone Star State. Some of the official silliness has including attacks on actor Sean Penn's political views (he had a role in Terrence Malick's Oscar-nominated The Tree of Life, which shot in Texas five years ago) as an excuse to cut funding. Those in the know have said in recent years that current Texas incentives are more attractive to television productions than films, which often veer across the Texas border to Louisiana or New Mexico.


Ridley told me incentives were indeed a factor in bringing to the show to Texas. They'd also looked at Georgia and both Louisiana and New Mexico. A lot of that was the wide variety of locations, with Ridley praising the Hays County Courthouse in San Marcos in particular as a welcome find for the many judicial scenes. 

"There were other places where we could have done a good job, but Austin ended up being the right place," he said. "Beyond our headline cast there was a really, really deep group of actors that delivered."

Look for the series to shoot in July, when Texas temperatures soar. It's something Ridley told me he did not look forward to in a second season. "Everything else is wonderful, it’s a terrific environment, but the weather…," he said.