Robert Rodriguez sends 'From Dusk Till Dawn' to New Mexico

Rodriguez and Linklater (photo by Joe O'Connell)

Cuts to Texas film incentives have a new casualty: Austin-based Robert Rodriguez likes to shoot at home, but he's setting up the third season of his El Rey network's From Dusk Till Dawn series in New Mexico with filming beginning as I type this. The first two seasons shot in the Austin area, of course. But money talks and Rodriguez walks. As have other recent Texas-set shows.

This is what happens when the Texas Legislature slices and dices its two-year film incentive program budget from $95 million to $32 million. In recent years, the incentive program has been most effective at attracting TV series to the state, including Austin-shot American Crime and The Leftovers. The former shot in Austin for both of its two seasons, while the latter shot its second season around Central Texas. The Leftovers already has a third season commitment while American Crime's future is unknown. Will either return to Austin? Stay tuned, but don't get your hopes up. At least we still have Richard Linklater. Right, Rick? Gulp.

'Machete' sues Texas, but Rodriguez wants not part of it

Perry OKs film incentives in 2010.

 

The never-ending saga of the Texas Film Commission's denial of filming incentive funds to Robert Rodriguez's satirical slasher film Machete, well, continues.

According the the Houston Chronicle, papers have been filed in Austin seeking $8 million in incentives denied in late 2010. But now Rodriguez says he doesn't support the lawsuit and actually appears with Gov. Rick Perry in a commercial urging businesses to move to the Lone Star State. Perry signed 2009 film incentives legislation at Rodriguez's Troublemaker Studios surrounded by politicians and movie props.

It's all part of a twisted saga that includes radio conspiracy theorist Alex Jones, former Texas Film Commish Bob Hudgins--who left the job with a sexual harassment claim clouding the picture but whose efforts effectively created the film incentive program--and an oddball and quite vague "content clause" approved by the Legislature that restricts funding for projects that show Texas in a bad light.

A side effect of the story is the various film commissioners who have followed Hudgins (three to be exact) are no longer allowed to speak to the media and instead refer media reps to Perry's press office, which seldom returns calls.

'Killer Women' to shoot in New Mexico

 

It's a show about Texas Rangers set in San Antonio and the pilot shot in Austin, but the ABC series Killer Women will lens in Albuquerque, my sources confirm.

With the television networks, the decision usually comes down to dollars and cents, and this appears to be no exception. Simply put, filming incentives in New Mexico remain much more attractive than those offered in Texas.

But at least we can enjoy a few fleeting Austin views in the trailer.

It's the same story that has another Texas Rangers story,  Johnny Depp star vehicle The Long Ranger, featuring scenic backdrops that you'd never find in the Lone Star State.

'Lone Ranger' lives, but not in Texas

Jerry Bruckheimer has managed to revive Johnny Depp-starrer The Lone Ranger with its budget tightened, ahem, from $260 million to $215 million.

There were rumblings earlier of a joint New Mexico-Texas shoot for this tale of a TEXAS Ranger, then talk of Utah, but the final words is New Mexico and possibly Louisiana. Why? Do you even need to ask?

Here's what Bruckheimer told The Hollywood Reporter:

"We found that Louisiana gave us a better tax incentive than New Mexico -- that was another $8 million. We're still shooting in New Mexico, and we might [also] go to Louisiana. We're asking New Mexico to come closer to the Louisiana incentive.
We dropped our California location not because they didn't offer a tax break but because it was another production office that we had to open. Every time you have a new location, you have to use crew time setting it up for you. There are a lot of expenses."

Early rumblings had the film shooting some in the Alpine-Marfa area, which goes completely unmentioned here. Granger was also scouted for train scenes, probably because they were shot there for True Grit.

Texas film incentives survive; 'Lone Ranger' lurks

UPDATE: LONE RANGER IS OFFICIALLY DEAD AS A PROJECT!


My column from today's Dallas Morning News.

SHOT IN TEXAS: Legislature approves $30 million in film incentives

By JOE O’CONNELL Special Contributor

Published 09 June 2011 04:48 PM


The Texas film-incentives program appears to have survived the
legislative session, but with a lot less cash to throw at potential
projects like Johnny Depp’s Lone Ranger.

The incentive program, which is aimed at attracting film, television
commercial and video-game projects to the state, will have $30 million
to spend in the next two years. That’s exactly half of what the
Legislature approved two years ago. Another $2 million will fund program
administration and a state film archives program.

“It’s a big victory and something that we’ll have to build back up on in
the future,” said Don Stokes, president of industry lobbying group the
Texas Motion Picture Alliance. “At least it keeps the program alive at
this point.”

Most film-industry leaders are keeping their lips tight about the
allocation, perhaps concerned about unlikely changes to it during the
Legislature’s special session. But it could have been worse: An original
plan had two-year funding at $10 million and at one point the Senate
considering cutting all film-incentive funding.

The funding uncertainty kept at least one unnamed network television
series pilot from filming in Texas, Stokes said. North Texas did land
two pilots — Dallas-set Good Christian Belles , which will shoot as an
ABC series primarily in Los Angeles, and TNT’s version of Dallas, which
the network has yet to pick up as a full series.

The incentives program has been less successful competing for feature
films with other more incentive-rich states such as Louisiana and New
Mexico. The next big-name film in Texas may be a remake of The Lone
Ranger , with emphasis on the character Tonto to be portrayed by Johnny
Depp. The Disney film is expected to have a fall shoot and has been
scouting locations in West Texas, Austin and the small town of Granger
where much of True Grit was shot in 2010, Gary Bond of the Austin Film
Office confirmed.

The alliance group estimates the incentive program has generated more
than $600 million in new in-state spending and 56,000 jobs since it was
first funded in 2007.

“These incentives will keep our crew and talent working in Texas and
economically impacting our entire state,” said Waxahachie-based talent
agent Linda McAlister. “Talent live and work all over Texas, not just in
the metropolitan areas. The money is filtered throughout the communities
through production as well as individual spending.”

The Legislature clearly wants to see bottom-line results. The Texas Film
Commission has until November 2012 to come up with a 10-year plan for
the film industry to “grow beyond its traditional funding.” That
includes asking cities to get involved financially and asking colleges
and universities to bolster crew training.

“Our goal is to leverage the assets we have in the state — our talented
crews, infrastructure and location variety,” Stokes said. “We can do it
all in Texas.”

Last year the incentive program was instrumental in attracting a lot of
television series to the state — The Good Guys, Chase and Lone Star in
North Texas and My Generation and Friday Night Lights in Austin, but all
of those shows have since closed shop.

To keep either television or films from gobbling up much of the
incentives allocation, the legislation requires no more than 40 percent
of funds go to either TV, film, video games or commercials and
industrial films.

“We want to make sure all segments of the industry have a chance to grow
and prosper under the program,” Stokes said.

Incentive nix for 'Machete' marks major policy shift

I'm frankly a little shocked by word that the Texas Film Commission has denied incentives for Robert Rodriguez's Machete. And even more interested by what it says about the future of both the Texas Film Commission and the state's film industry.

A letter from the film commission is signed by Carol Pirie, the deputy director, and denies the incentives based on either "inappropriate content" or "content that portrays Texas or Texans in a negative fashion." It doesn't specify which. The letter is dated Dec. 1--the day after Bob Hudgins left as Texas film commissioner amid sexual harassment allegations that he says were unrelated.

Gov. Rick Perry's office seems to be giving credence to access televsio/radio conspiracy theorist Alex Jones, who raised this issue earlier this year.

What's fascinating about all of this is the change of course it illustrates. Now former Texas film commish Hudgins had said a planned film about the Branch Davidian siege in Waco would likely be denied (filmmakers never actually applied for incentives and the film has yet to be made).

Hudgins' response to critics at the time was that the content provision only applies to films based on actual events. That was his clear take, so the move by Perry's office (I sincerely doubt Pirie made this decision on her own) is a sea change.

Hudgins told me in 2009: "If they are depicting real events and they don't do it accurately, we've got to say no to them. They can show scoundrels as long as they are accurately portrayed."

Machete is fiction. It's been termed "Mexplotation." It's not based on anything factual. The incentives denial seems more of a reaction to an early trailer for the film than the film itself. That trailer, released on Cinco de Mayo 2009, has star Danny Trejo speaking directly to the camera with a "special message to Arizona." The reference is to an immigration law passed by the state. The law was passed AFTER Machete was filmed.

The big question now is which policy will the next Texas film commissioner follow--Hudgins' or Perry's?

Turns out Texas is not alone in film content clause

A provision in the Texas film incentives program barring funding for films that portray the state in a negative light has brought some recent controversy, specifically involving a fictional take on the real-life events at the Branch Davidian compound in Waco and, to a much lesser extent with Robert Rodiguez's Machete.

Now The New York Times tells us other states are getting in on the act. What nixes funding in Michigan? Cannibals, my friends.

Texas film incentives get $60 million

The Texas Legislature has given a total $62 million ($2 million goes to administration) to fund the state’s new-and-improved film incentives program for the next two fiscal years. It wasn’t easy, insiders say, with the $40 million increase over the previous (and first) incentives fund at one point tied to FEMA reimbursements related to Hurricane Katrina, but in the end coming from the general revenue fund. Add $8 million unspent from a previous two-year allocation, and Texas should quickly be competitive. Give major credit to lobbying by the Texas Motion Picture Alliance. A big shout out alos to state Rep. Dawnna Dukes, who fought off late slashing of the program’s proposed budget. A speedy application/approval process is the next goal, with staff for this at the Texas Film Commission increased from one to eight. The likely first Austin shoot to latch onto increased incentives? Machete, Robert Rodriguez’s full-length version of what had been a fake coming attraction seen in Grindhouse. Look for it to lens in Austin this summer.

Texas film in a new year

It's an interesting commentary on newspapers that though I have a film column that runs in two newspapers, a lot of people see them only through list serves that post them and assume it's a blog I do. Nope, I prefer to be paid, and I haven't found a way for the Web to do that for me yet.

You can see my Top Ten Texas Film Stories of 2008 in The Austin Chronicle FILM NEWS column and some thoughts on the upcoming Texas film incentives push in the Dallas Morning News SHOT IN TEXAS column.

The Robert Rodriguez-Rose McGowan soap opera

Usually I try to stay out of the personal lives of film industry folk. It bores me and seems a tad sleazy. But sometimes, such as with the media frenzy over Robert Rodriguez's relationship with Rose McGowan, it becomes business.

In case you don't know the story, Robert Rodriguez's marriage of many years ended during the filming of Grindhouse when the director of Spy Kids ran off with McGowan. Late last year Rodriguez and McGowan were said to be engaged. Now comes word that they are breaking up. Or not.

What makes this interesting is, one, Robert Rodriguez is, next to fellow Austinite Terrence Malick, one of the most secretive filmmakers around. Come near his set and you'll be signing a confidentiality agreement. Note that all of the latest comments seem to funnel through McGowan's press machine. Rodriguez must be seriously cringing about now.

Two, McGowan is said to be on tap to star in three upcoming Rodriguez films: Barbarella, Women in Chains and Red Sonja. If you want to read between the lines, note that Red Sonja is now officially set to film in Michigan this fall with McGowan starring and Rodriguez PRODUCING. His longtime assistant director (dating back to The Faculty)Douglas Aarniokoski is set to helm this one. Michigan, along with having overly lavish filming incentives is very, very far from Austin. Get the picture?