Joe Lansdale = modern-day Mark Twain

I interviewed Joe Lansdale for Kirkus Reviews about his great new novel. Here's how it starts:

Even if the prolific Joe Lansdale created an imaginary twin (don’t put it past him), the two combined probably wouldn’t have enough fingers and toes to count all of his published novels. So when he says Paradise Sky was the most fun one to write, take heed.

A fictionalized story of the real-life Nat Love, the picaresque tale follows its African-American protagonist on a jaunt through post-Civil War adventures that lead him into careers as a marksman nicknamed Deadwood Dick, a Buffalo soldier and a marshal, all the while being tailed by a racist miscreant bent on killing Love for a mostly imagined slight.

Lansdale had read the real Nat Love’s autobiography, The Life and Adventures of Nat Love Better Known in the Cattle Country as "Deadwood Dick" by Himself and saw an avenue to tell a tale often overlooked—African-American contributions to the Old West mythos. He’d pitched it as a novel as far back as the late ‘70s, but agents and editors then saw no audience for a story with black heroes.

Read the rest here.

Texas as seen through recent fiction

I regularly interview Texas authors for the San Antonio Express-News. Tomorrow they'll run my interview with Bret Anthony Johnston, a Corpus Christi native who sets his debut novel Remember Me Like this there. Here's how my piece begins:

Bret Anthony Johnston's fiction shapes Corpus Christi into a literary character, but he has a confession: He hates the beach. The sand itches; the salt water clings.

“I never felt the pull that everyone else had,” Johnston said by phone from New York City, his latest stop on a whirlwind national tour for “Remember Me Like This,” a deeply human novel that follows a broken, battered family dealing with the return of a son four years after his kidnapping in a fictional Corpus Christi suburb.

The beach may get short shrift, but the Sparkling City by the Sea glistens in Johnston's taut prose.

“The longer I'm away from South Texas in general and Corpus Christi specifically, the more clearly I see potential for stories that can only happen there,” said Johnston, who was born and raised in the city but now directs the creative writing program at Harvard University.

Read the rest here.

I also recently interviewed Jim Sanderson, whose two new books are set in West and East Texas. Here's a taste:

East Texas and West Texas might as well be on separate planets, but Jim Sanderson straddles the divide and puts both under the microscope in his two recent books of fiction.

The San Antonio native's “Nothing to Lose” is a mystery novel set in Beaumont where Sanderson, chair of Lamar University's Department of English and Modern Languages, has long taught writing. The story collection “Trashy Behavior” is primarily set in Odessa, where he was a college instructor for seven years before that.

Sanderson evokes the names of other Texas writers — Tom Pilkington, J. Frank Dobie and Billy Lee Brammer — who saw the state as a borderland with a mindset focused on the “end of things.”

“Within 200 miles in much of any direction you're almost in a different state,” he said. “The geography changes, the culture even changes a little.

Read the rest here.

Kat Candler's long journey to overnight film success

Photo by Joe O'Connell

I sat down to talk to Kat Candler for The Austin Chronicle about her adventures along the way to Hellion, which premiered at Sundance earlier this year and screens at South by Southwest in the next few days.

I was the first person to ever interview Kat back in 2000. It's an honor to interview her again now. Hellion is a fine film. Check it out.

Sublett reinvents the novel with 'Grave Digger'

Jesse Sublett knows noir. He’s a student at the feet of Chandler and Hammett (he named his own son Dashiel) and penned three respected mysteries about an Austin, Texas, based musician/private dick named Martin Fender. He’s also a heck of a musician who led the seminal Austin punk/garage/new wave band the Skunks. What happens if those two parts of his persona crash together in a post-apocalyptic world with elements of dystopian sci-fi, poetry and outsider art? Grave Digger Blues is born, my friends. It’s not so much a book as an experience, particularly if you spring for the iPad version with all the bells and whistles.


 
Last year I wrote in the San Antonio Express-News about Sublett’s efforts to do something similar with the re-release of the Martin Fender novels. But here he’s taken it a large step further.

You’ll be thrown into the world of the Blues Cat, an a down-and-out jazz musician, and Hank Zzybnx, a private detective haunted by Marilyn Monroe’s ghost. It’s a wild ride into despair with bouts of frivolity. All along the way the Blues Cat keeps the beat pounding and Jesse Sublett keeps pulling the strings somewhere behind the curtain. Hop on this train. You’ll like where it takes you.